Fashion Photography, as Fashion itself has transformed too.
$ELLEBRITY: A Consideration of the Celebrity as Purveyor of Design in the Fashion World
Fashion refers to anything that is a trend.
Avoid jumping a currently fashionable point of view unless your results really do strongly support them. This section should be rich in references to similar work and background needed to interpret results.
In today’s media-run culture that is highly focused on the visual, the fashion system and the political system each exist as both substantive and superficial entities. Each of these systems subsists independently of one another, and this thesis will argue that the fashion system and the political system overlap in several significant ways. There are parallels and commonalities between systems in society, with the fashion system and the political system being prime examples. Both fashion and politics represent a merging of the public and private selves, and combine the artificial with the real. The fashion system and the political system both dictate our lives, and both are personal and impersonal simultaneously. This research paper proposes that the fashion system overlaps with the political system in the United States of America, and that in the 2012 Presidential Election fashion inserted itself into the political system both aggressively and passively. The media played a significant role in this insertion, incessantly endorsing the link between fashion and politics and revealing the nature of systems as a means of conveying and identifying fashion. In the 2012 election season in the United States, fashion played a significant part that shaped the way we viewed the candidates and their wives. This thesis puts forward that the fashion system and the political system in the United States of America are similar and overlapping, and uses key points of collision as an illustration of these ideas. Specifically, examples of this overlap that have taken place in the 2012 Presidential Election season are looked at and juxtaposed with fashion and political theory. Case studies used to illustrate fashion’s involvement and influence in politics include the fundraising efforts of Vogue Editor-in-Chief Anna Wintour and Council of Fashion Designers of America President Diane von Furstenberg for the reelection of President Barack Obama, and the focus of the media on the physical appearance and fashion choices of political wives and First Lady Michelle Obama on the campaign trail as well as the deliberate fashion selections of these women. Overall, this thesis will create a better understanding of the insertion of fashion into the present political system in the United States, specifically in the most recent election season, and will allow for a deeper knowledge of the way fashion and politics as social structures impact society and our identity.
Self-presentation is the most direct noticeable marker of fashion.
Veronica Gisela Aguilar graduated with honors from Loyola Marymount University in Los Angeles in 2007 where she studied Graphic Design and minored in Communication Studies. Her work within the MA Fashion Studies program explores her interests in fashion publications, new media, and visual and material culture. Her MA thesis examines the evolving relationship between print media and digital media and their distinct modes of fashion mediation and consumption.
With the emergence of new media technologies, the contemporary fashion consumer now has an overwhelming selection of sources from which to obtain fashion-related news, from magazines (both print and digital), fashion blogs, to social networking sites, and image-sharing portals. Thus, never before has the public had such instantaneous and uninterrupted access to fashion in all its forms. Nevertheless, how has this hyper-saturated influx of fashion ephemera affected the cultural valence of print fashion magazines, which were once the singular, authoritative outlets for fashion discourse? Since the start of the millennium, a new breed of niche fashion magazines has emerged in direct response against the hurried, homogenized, and half-digested content that is disseminated by mass market fashion magazines and online channels.
Deduce and analyse who the target customer of a fashion brand is.2.
Considering that fashion enthusiasts fluidly consume both print and digital media, it is no longer adequate to embark in the analysis of contemporary magazines without contextualizing them in the greater digital culture in which they now exist. In this thesis I attempt to carry out a comparative study of the biannual niche style magazine The Gentlewoman and various fashion websites to unpack their modes of consumption and production of fashion discourse. Through this investigation, I aim to deconstruct their visual and written narratives to extricate how these seemingly disparate mediums produce new values, experiences, and languages that mediate fashion. Though I acknowledge that we are in the midst of a digital transformation that will continue to progress after this project is complete, my intention is to expose the symbiotic relationship between print and digital media as a fertile topic worthy of critical examination within the field of fashion studies and beyond.
Katie Bradley graduated from the University of California, Santa Cruz with a dual BA in The History of Art & Visual Culture and Film & Digital Media in 2010. Her work in the MA Fashion Studies program focuses around the intersections of fashion, fame, and consumption in popular culture, and her thesis work explores the role of celebrities as fashion designers.
Identify and anticipate the fashion needs of the consumer.3.
Every day we hear terms on the streets, film or television.
It is also a place for women to gossip and talk about the latest fashions, music, and other pop culture.
This play is also known as Fashion: or, Life in New York.
One could pursue either a creative or business career in the fashion industry.
There are several trends that have come, gone, and come again.
Like art, fashion is a material record of the ideals that swayed the nations at the time of their creation.
One of the reasons for this epidemic came through the use of fashion.
The past decade of fashion has been marked by the introduction of the celebrity fashion designer, a result of a newly appropriate blending of industries as well as newfound access to the everyday happenings of celebrity figures through popular media outlets. In response to today’s increasingly fast-paced cycle of fashion, more celebrities are launching their own labels and quickly changing the ways people consume fashion. This influx of celebrity designers has profoundly stimulated an awareness of fashion within the everyday while allowing celebrities to commodify their image into a profitable product. In order to reveal how and why the celebrity designer has altered the fashion world, their presence in mainstream media and popular fashion is analyzed in this project to form a better understanding of their successes, failures, and steps made to achieve such prominence. This project analyzes the ways in which the presence of the celebrity designer has influenced consumption practices, methods of social surveillance, and created new forms of capitalism based on image branding by performing case studies on individual celebrity designers and utilizing archival research. By searching the extensive archives of Time Inc. in New York City, the emergence of the celebrity designer and the changing dialogue surrounding their presence is revealed. Using the archive’s electronic database, an exhaustive study of the celebrity in fashion is exposed and chronologically quantified to present a proper analysis of this new class of designer as it relates to contemporary fashion. Interviews with experts in the fashion industry help to better outline the shifts made by celebrities and how they are effectively carving out a new niche within the pre-established divisions of fashion and class. Merging the desire of a label with the desire for another person, celebrity fashion designers are turning contemporary fashion not only into a process of desiring things, but one of desiring people.
Pressures from the fashion industry promote eating disorders....
This journal will be an efficient forum where the editors play a central role in soliciting the best research papers and where editorial decisions are reached in a timely fashion.
Some other forms include cosplaying, contemporary art, and fashion.
Cally Carbone graduated from Stephens College with a degree in Fashion Marketing and Management. After a few years working in the fashion industry, Cally entered the MA Fashion Studies program to explore the role of fashion brands on personal identity, particularly through the scope of licensed products.
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